'People ask, "Are you envious of Raj?" I mean, are you envious of your brother or sister or your mum and dad?' 'No. You feel a sense of pride when you see the other person excel.' 'Both of us are from the industry, so seeing the other person excel is what inspires me and instills faith and hope in me.'
The Hundred-Foot Journey is reduced to plot holes and factual inaccuracies of surprisingly epic proportions, writes Nishi Tiwari.
Director Pa Ranjith's Madras is an intense emotional drama that gives you a ringside view of the lives of the underprivileged in North Chennai.
It has been 20 years since the Kargil War. Sukanya Verma look back at Lakshya, Farhan Akhtar's memorable film that was inspired by the war in the icy heights where young Indian soldiers fought tireless battles to evict Pakistani troops from our territory.
Here looking at 10 of Bollywood's best-known crime movies.
The Gallows will probably appeal to high schoolers at a sleepover. For the rest of us, a rewatch of The Blair Witch Project will have to suffice.
Padmarajan's Thoovanathumbikal has become a part of Malayali mythology, just as its maker himself now possesses mythological status.
Movies, like all forms of great art, are not meant to tell us how we ought to be, but honestly document how are.
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Here's looking filmi tigers with the loudest roar!
Great Grand Masti is neither great nor grand, and it doesn't have any masti elements either, warns Namrata Thakker.
Because, let's face it, we can never have enough of her on the silver screen!
Simmba is a dhamaka from the start till the end.
'In Udaan and in Lootera, the initial sensations that drove Vikramaditya Motwane to make those pictures never quite travelled beyond the walls that contained them.' 'Here, in Trapped, this sensations-strangled-by-the-walls feeling becomes the movie's real tune,' says Sreehari Nair.
Vijay giving an amazing performance in Thalaivaa which is full of action, drama and emotion.
A look at the top tweets from your favourite Bollywood celebrities.
'What was previously buried in the sands of time now gets buried by the weight of banality,' notes Sreehari Nair.
'Mamata is synonymous with Bengal, its culture, language, traditions.'
Here's looking at the summer hits through the years.
The camaraderie between the Genie and Aladdin is expressed in Hindi, a language that only the two of them can use to communicate with each other. The rest of the cast speaks in English, making Hindi the indigenous aspect of a globally loved tale.
Nine months after he stepped down, JD-U leader Nitish Kumar was on Sunday sworn-in as the Bihar chief minister
'When a woman gets married, she leaves her village, her friends and family.' 'In her new home, she will make friends, but they can never replace those she left behind.'
This thriller isn't merely predictable, but depressingly drab, says Raja Sen.
Enjoy our fascinating series where film folk reveal what their movies taught them...
The film is engagingly narrated in flashbacks that move seamlessly from one character to another, says S Saraswathi.
Deepa's brother Deepak was present in the house when she arrived.
Director Raghava Lawrence's Kanchana 2 is an enjoyable horror comedy about six ghosts who are out to avenge their deaths.
A bland remake of the Tamil hit Mouna Guru, girl power is merely a USP device in Akira, says Sukanya Verma.
'Across the political spectrum, especially from the side of the NDA itself, there is complete disillusionment (with the way the BJP is treating its allies).' 'This leaves a very bad taste in the mouth.'
One sees a lot more of the aliens in this edition though not necessarily in a good way, wites Sukanya Verma.
The element of curiosity and chill is doubled when it's inspired from real-life manslaughter.
Ram Gopal Varma's Veerapan to hit the screens this Friday.
...But ends up being oddly moving, says Sreehari Nair.
Kahaani 2 could have been a great film, but it isn't.
Priyanka Chopra plays second fiddle to Prakash Jha in this tedious cop drama, says Sukanya Verma.
'Nikkhil Advani's POW shows a director's deft touch and is a promising start of a great story, top notch acting talent and great behind the scenes production team,' says film director Suparn Verma.
'My definition of a true star is when they enter a room, the energy of the room changes.' 'She has the aura of a true star.'
Kochadaiiyaan is a fundamentally flawed dud, one without anything to applaud besides grand (if self-glorifying) ambition, rants Raja Sen.
Bollywood has told many 'Brothers' tales over the years.
Sukanya Verma on The Zoya Factor in Indian cinema.
Raja Sen picks the bad movies of the year so far.
